New Mixtape: Something in the Air

I've been working on a new mixtape for a while, the theme for which is movie couples/crushes. It's called Something in the Air, and here it is. Along with a picture of Joel and Clementine from Eternal Sunshine of the Spotless Mind, one of my favorite movie couples of all time. For a free physical copy, complete with cover art, shoot me an email.

Album Review: St. Vincent- Actor

A few weeks ago I met Annie Clark, the waifish, bright-eyed chanteuse behind St. Vincent, outside of a record store in Georgia. She was there with some family, who were laughing and pointing at the record cover for her new album "Actor," which is essentially a huge picture of her face, in the window, and urging her to go in and buy a copy.

The cover of "Actor" can speak to the music as well. Clark is pictured staring into the distance, her eyes wide and her hair curling in every direction. The result makes her look like some sort of otherworldly fairy. This large image of her face is set against an almost garish orange background. Similarly, Clark's music is composed of her ethereal, breezy vocals over top jarring, distorted guitars and drums.

Given her background as a former member of the Polyphonic Spree, and given that I never heard her first album "Marry Me," I expected St. Vincent to be light, poppy ballads, bordering on twee. As I mentioned before, the music is quite the contrary. First of all, it's loud. While Clark's voice might be light, songs like "Actor Out Of Work" and "Save Me From What I Want" are thick with distortion and wrecking beats. After stalking YouTube, I learned that Clark is a master on the axe, and shreds live like a member of an 80's hair metal band.

On the other hand, she does have a more restrained side. "Black Rainbow" is a hushed track that pairs Clark's voice with jabbing guitar and floating keys. Eventually, however, the song climaxes in a goopy, cinematic swamp of organ, strings, and synth.

If "Actor" proves anything, it's that Clark is a master of both the quieter, simpler aspects of songwriting and the convoluted, complicated aspects of orchestral arrangements and production. Even on tracks like the jazzy and buoyant "Laughing With A Mouth Full Of Blood" Clark layers vocal effects, strings, stuttering drums, and a plethora of other instruments without sounding overcrowded or noisy.

I can't wait to get more into St. Vincent's catalog after hearing "Actor." This is a truly dynamic album featuring an extremely talented songwriter and artist.

New Comet Gain- "Broken Record Prayers"

One of my biggest pet peeves is when someone talks during a song. It's supposed to seem really serious and meaningful, but to me it's just annoying. In the middle of M83's "Graveyard Girl," one of my favorite songs last summer, a girl starts talking about how the graveyard is her home or something and those few seconds almost made me hate the song. Luckily the rest is so John Hughes-y awesome that I can't throw it away. But seriously, if it weren't for the talking, I would listen to the track much, much more.

However, I recently found one exception to the rule. I picked up Comet Gain's "Broken Record Prayers" two weeks ago, and the opening track, "Jack Nance Hair," is a talker. A girl with a thick accent recites verses about believing in art and music over strummed guitars and a light rhythm. Partway through, a boy comes in singing heartbreaking lines about "escaping movie blues." The juxtaposition of the girl's more aggressive delivery against the lo-fi music and the boy's earnest lyrics blend to create a truly sweet song that I enjoy without being distracted by all the talking. Somehow, Comet Gain stumbled upon the formula for making talking in a song not painful and awful.

I believe this is the only song on the album with talking (I haven't listened to the whole thing thoroughly so I'm not positive though) but the rest is great as well. I'd never really heard Comet Gain before, but they make really sweet lo-fi pop songs. I can tell that I'll get a lot of listens out of "Broken Record Prayers" this summer. My favorite tracks so far, besides "Jack Nance Hair," are "You Can Hide Your Love Forever," "Books of California," and "Asleep on the Snow." Check out Comet Gain if you haven't already! I believe they have been around for a while, in which case they are very underrated.

Listen to Comet Gain HERE.

Love is a Mixtape

I have a LOT of playlists on my iTunes. I have a few Smart Playlists, made up of my most recent singles and another of my most recent albums, and then a third which is a combination of the two. Then I also have a few "best of" mixes to showcase the good cuts off of new albums. Plus I have quite a few "car mixes" which are different from regular mixes in that there is no mood or order- just a set of good songs that have been stuck in my head lately. The rest of my playlists are precisely curated mixes that I spend literally hours creating. I usually make one or two a season, and, depending on the quality, I'll listen to it for months afterward. Some are better than others. I still consider last summer's mix, titled "A Waste of Time," the best mixtape I've ever made. The songs on it completely define summer for me, and I think I listened to it every single day. One year later, it still isn't old.

"A Waste of Time" includes songs from Nada Surf, Feist, Coldplay, Iron & Wine, the Whigs, Sun Kil Moon, and ten others. Since I've listened to this mix so many times, it's now difficult to listen to each song individually or in the context of its original album. I just prefer it on the mix. I worked really hard on making smooth transitions between each song, and I'm amazed that I went from Santogold to Elliott Smith in four moves, and they still sounds great and fluid together.

I'm currently working on a new summer mix for 2009, but I don't think it will ever live up to '08's. I'll be sure to post it when it's finished, though.

Here's a tracklist for "A Waste of Time." If you'd like me to mail you a copy, complete with homemade album art, feel free to shoot me an email.

Excuses, Excuses

The reason I've been posting way less lately is that school has been crazy for the past few weeks. Not to worry, I'll be back in full force soon.

Bruce Springsteen LIVE at the Verizon Center- 5/18/09

I know this review is almost a week late, but whatever...

The morning after Bruce Springsteen's killer performance at the Super Bowl, my friend Jenna and I ran to the newspaper room at school, logged on to a computer, and bought tickets to see his show at the Verizon Center at precisely 10:00AM. I was on the phone with my dad, who was at home, and had instructions to do the same thing, and we compared which seats each of us got. My dad was shut out, but Jenna and I nabbed tickets in the second tier. After service charges, each was about $120, which beats Kanye West for the most I've ever spent on a ticket.

Luckily, it was worth it. I'm by no means a diehard Springsteen fan, but seeing him live was an incredible experience that even I could appreciate. Bruce and the E Street Band went on stage at about 8:20 and didn't stop playing for a full three hours. With a lot of shows, I'm ready for the set to end at about the two hour mark, but with Bruce, I could have stayed hours longer. Even with an average age of 58, the E Street Band had more energy than most college-aged dance bands. The performed wonderfully together (duh, they're all extremely talented) and they seemed to be having the time of their lives on stage.

Based on my experience with concerts in sports arenas, I wasn't expecting too much crowd interaction. However, Bruce interacted more with the audience than bands in even the smallest venues. He shook hands, walked around the floor, and, in my favorite part of the show, took requests. People on the floor held up colorful signs with requests on them and Bruce ran around picking them up. Then, he sifted through them and chose which the band would play. The most memorable (besides "Hava Nagila," of course) was a sign that said "Jonas Brothers, Shmonas Brothers. Cool 9-year-olds like 'Out In the Street.'" Seeing this sign, Bruce called out to whoever made it, and then proceeded to lift the adorable 9-year-old girl on stage and let her sing part of the song. Jenna and I agree that this will probably be the number one moment of her life forever, surpassing her wedding day and birth of any children. She got to sing with Bruce! Nothing beats that!

My favorite song of the show was "Rosalita," which Bruce played last after seeing a sign that said "Obama called, he wants Rosie." It was the final song of the finale, and a great way to end the night.

Despite loving the show, I have two main gripes. First of all, the sound was a bit muddy, especially in the beginning. Instruments bled into each other making some songs relatively unlistenable. The sound either improved as the night went on, or I stopped caring. My second complaint is that "Working On A Dream" is a pretty bad album, and every time the band played cuts from it, it was clear that people just cared less. Boo.

Anyway...great show, great experience. I can now cross "See Bruce Springsteen" off my Life List. But before I do that I need to add "See Bruce Springsteen Again."

Setlist:
Badlands
No Surrender
Outlaw Pete
She's the One
Working on a Dream
Seeds
Johnny 99
The Ghost of Tom Joad
Raise Your Hand
Out in the Street
Little Latin Lupe Lu
Hava Nagila/Blinded By the Light
Waitin' on a Sunny Day
The Promised Land
The Wrestler
Kingdom of Days
Radio Nowhere
Lonesome Day
The Rising
Born to Run
* * *
Hard Times
Kitty's Back
Land of Hope and Dreams
American Land
Rosalita

Summer Concert Schedule

I've got a really fun summer lined up with cool internships and a job for three weeks at my favorite place in the world, a camp in Pennsylvania. In addition, I am seeing quite a few concerts. Here's the list so far...

June 8|| The Decemberists w/ Andrew Bird
June 9|| TV on the Radio w/ the Dirty Projectors
June 11|| Taylor Swift
July 8|| Wilco w/ Conor Oberst & The Mystic Valley Band
July 11|| Bugs Bunny Live!
July 29|| Fleet Foxes
July 30|| M. Ward
August 5|| Slightly Stoopid w/ Snoop Dogg
August 7|| O.A.R. w/ Matt Nathanson
August 15|| Phish

Pretty much all of those, except for Fleet Foxes, are definites. Hopefully I'll also see the Killers, Rock the Bells, and anything else that comes up. Plus I might see Passion Pit instead of TVOTR if I can find someone to go with me...

A Plethora of MGMT Covers

You know how every year there are a few songs that EVERYBODY feels the need to cover? In the past, such songs have included Gnarls Barkley's "Crazy" and Rihanna's "Umbrella." Lately, I've been seeing a lot of MGMT covers. Even though "Oracular Spectacular" has been out for over a year, it's only recently started to hit the mainstream. Thus, Katy Perry and Weezer have felt inclined to put their stamp on "Electric Feel" and "Kids," respectively. As expected, the Katy Perry one sucks and the Weezer one is passable. Also I'm throwing in a cover of "Electric Feel" that a bunch of sophomores did at my school's talent show.

Electric Feel (MGMT cover)- Katy Perry

New Live Coldplay- LeftRightLeftRightLeft

Coldplay just kicked off yet another tour, signifying the third Viva La Vida tour I have not been able to attend. I have a theory that the bands hates me. For last summer's tour, I was able to go, but then they rescheduled to the day after I left to work in PA. For their fall tour, the show was the night before I had to take the SAT. This time around, it's on a Thursday night the same week that I'm seeing Bruce Springsteen (my parents don't let me see concerts on weeknighs, so Bruce is a big deal) and the same night as my school's Spring Fair, which I help organize. So yeah, they hate me.

For this tour, Chris Martin & Co. put together a live album called "LeftRightLeftRightLeft," which they will be giving away for free at shows and for free download for those they hate/can't attend. I just downloaded it this morning and I loooove it. I am an unabashed Coldplay fan and as someone who has only heard stories of their live show (After I missed last summer's tour, my friend sent me a pages long email complete with setlist, her song-by-song review, and a link to videos. It's why we're friends.) this album will have to do. It's great to hear them sounding so good live, and the crowd seems really into it (necessary). I'm so glad that they included "Strawberry Swing," which might be my favorite track off of "Viva La Vida" (it's definitely my most-listened).

Download it now HERE.

The link's been a bit testy, but I'm sure if you google around, you can find a torrent of it.

Passion Pit vs. MGMT

While MGMT's "Oracular Spectacular" was one of the best reviewed albums last year, but looking back, I'm not sure if it deserved all of the praise. "Kids," "Time to Pretend," and "Electric Feel" were all awesome songs (I'd put "Kids" as one of the Top 10 of 2008), but as a whole, the album was a bit spotty. I think that if some tracks were looked at in a test tube, completely separated from the hype of the album, they wouldn't be as well-received. The second half of "Oracular" just feels repetetive- I would personally have enjoyed the album much more if they stopped at "Kids." The first five songs are by far the strongest. Another gripe I have about MGMT is their concern with image. I know a lot of rock n' roll is about image, but I feel that they are so concerned with maintaining status as trippy hippies who never give interviewers straight answers that they don't care if they half-ass an album. They have confidence that hipsters wearing face paint and feathers will still show up for their shows and rave about their records and videos (which consistantly push the bar on ridiculous/bizarre).

This brings me to my next point. Passion Pit, currently one of the most buzzed-about bands around, have been compared a lot to MGMT. I see the resemblance in that both craft trippy electronic jams, but so far, I prefer Passion Pit. PP is much more polished than MGMT, and it seems like they care much more about the quality of the music they put out. Last year's "Chunk of Change" EP didn't have a bad song on it- and "Sleepyhead" was simply mind-blowing. Based on that EP alone, they're only 4 songs short of matching MGMT's repetoire. With PP's album "Manners" to be released Tuesday (May 19), many tracks have already leaked to the web. And, not surprisingly, each is a gem. "Moth's Wings" is an almost-anthemic joint that seamlessly blends organic vocals and beats with synthetic dribbles and drones. "Little Secrets" kicks off like the soundtrack to a vintage Nintendo game and then becomes a syrupy sing-along banger. The last song I've heard off of "Manners" is "The Reeling," a thumping jam with breezy vocals and heavy synths overlapping a thrashing beat. Each of these songs is just so well-crafted; they set Passion Pit miles above MGMT. [Plus, in reference to my complaint about MGMT's image concern, Passion Pit just look like a group of regular guys trying to make some good songs. Can't complain.]

Moth's Wings- Passion Pit
Little Secrets- Passion Pit
Sleepyhead- Passion Pit